8.21.2003
A bit of housekeeping, or rather home improvement... and YOU can help!
Back when we launched this new version of poemcees.com we bandied about the idea of posting the lyrics to our stuff on this here site. I figured that for every time DP or Patrick said something that caused me to scratch my head in confusion there were at least 10 other puzzled listeners going through the same thing. You definitely can't discount the joy that comes from a belated "Eureka!" moment. For example...
"African elephants distract you with irrelevance"(Glasses) - Patrick... WTF?!? We had a meeting one day and the puzzle was revealed. African elephants = black Republicans. I felt stupid and elated all in the same instant! Only a POEM-CEES record can take the soul through such opposing extremes of emotion!
"Convertible-headed, rewind, edit/I mean I'm open-minded"(Affirmation) - No explanation needed but I had to think about this one for a minute (must be that nimble delivery). Seems so simple once you see it in print, dontcha think?
We know we're crazy. We sometimes feel PARANOID that the strange things we say may never be decoded. We also get amped at the prospect of emulating a De La Soul album, where the process of uncovering nuggets of meaning can go on for years and therefore makes the record always feel new and interesting.
So here's where y'all come in. Holla at us and endorse your favorite candidate to be the first lyric transcription that we post. Maybe we'll do more than one.
Stylus - 10:44 AM
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8.20.2003
a quick definition: A POETRY SLAM is a contest where poets have 3 minutes to perform an original piece of poetry. The emphasis is usually on performance & making the crowd feel you, but a well written piece can’t hurt. Judges randomly chosen from the audience then give Olympic style scores (0.0 thru 10.0). The National Poetry Slam happens every year at a different city & awards cash prizes to the winners.
WHY SLAM SUCKS
By P. Washington
Here’s the thing – you can’t measure my life. How am I gonna stand up in front of a room full of strangers & ask you to rate my pain? Let you compare it to the person who just went before me. Sooooo the poem about the stalker was better than the joint about the lady who works at a truck stop? Somewhere a poet pouts, “I wrote the stalker piece to help me get over a bad relationship!” Oh, so what - The lady working the truck stop was my MOM! Blah blah blah
I’ve heard that poets have tried to walk out into traffic after receiving what they felt were insulting scores (I can just hear cars speeding up on the road now). This is not being overly dramatic: when you share a poem, you share yourself, and the more personal that piece is to you, the more that shit hurts when you feel like it’s being rejected. A note to aspiring slam poets - If you’re NOT ready to perform your absolute favorite piece and get a zero point zero and be told to NEVER touch a pen again, then you shouldn’t ever slam.
UNFORTUNATELY, there is no shortage of confidence in your average slam poet. Egos can run amok off stage & throughout a venue, but they are always FED onstage. That 10 that dude got for bragging on himself just qualified him in his mind. Thanks judges! You’ve created a monster. Now I’ve gotta hear that poem again.
WHY SLAM ROCKS
By blackpicasso
With respect to all the past teams:
This years DC NATIONAL SLAM TEAM was TIGHT
Myself
Droopy Anderson (so funny you forget how dope he is and vice-versa)
Chris August (the token gay white guy – our secret weapon)
Twain Dooley (slam veteran – too clever for his own good)
Twain & I were the old fogeys – Chris & Droopy were the bright eyed bushy tailed newbies
We practiced like shaolin monks for 2 months
We never argued
Denise Johnson was our 5th wheel in spirit
She gave us all beautiful handmade necklaces for luck.
It was a 12 hour drive to Chicago.
Droopy talks like Huggy Bear 2003
He said things into his cell phone like “Everythangs Drew & the gang baby, just knock 7 times on the box that rocks & if James Earl Jones answers, just get on the mic before it get too hot & I’ll tell ya what’s heads or tails after I’m done flippin’ the dime… Okay…I love you too Ma…. “
Haiku
We blew in westward
Knowing even when you win
It’s all still hot air
Our 1st bout
DC against Fort Worth Texas & Orange California
We got waxed
Unprepared for the technical difficulties that arose (it was too small inside the club for the crowd so the slam was moved outside to an adjacent garden with a slanted stage & too poor sound quality to compete with the street noise) our team strategy unraveled & we got poor scores all around.
But I got to see Buddy Wakefield – he is dope on a stick
An hour later, Droopy, Twain & I were soaking our sorrows in long island ice teas which is around when I came up with this
Haiku
No matter how bad
Things look, spirits will always
Change your perspective
Chicagoans are some rude MF’s. Get caught lingering at an intersection they will run you over & back over your ass.
but
Chicago has some of the best restaurants. I never had a bad meal there. Shout out to West Egg on Ohio Street downtown.
Cleveland chicks talk ALOTTA smack but they still can’t play pool.
Also, I’ve apparently been shooting pool backwards with the wrong hand all these years.
(but hey, it’s been working for me)
Twain is a pool shark.
I saw Reggie Gibson & met his beautiful little girl.
Celena Glenn I don’t care if you only spit a sentence we’ve GOTS ta get you into the studio.
Sekou tha Misfit & Priest da Nomad were separated at birth
Samantha Raheem you are one of my all time favorites.
Shihan, I saw you but we didn’t get to build, what’s up with the poemcee track?
There should be an award for the most “crunk” team – a team that brings a lotta people & has bangin' women & who get the party started everytime they walk into a room. In the past it’s been Atlanta. This year it was Oakland. Oh yes, It was Oakland...
Standing out with 100 poets in front of The Chopin Theater downtown, I hear an unmistakable laugh so I peer across the crowd to see TONI ASANTE LIGHTFOOT & GARY LILEY, two DC legends living in Chicago now. Both of these people were instrumental in many poets artistic development. Especially me.
I met this cat Jaxon Grimm who gave me a flyer that read “Come to the Pickup Party & get some funk, hip hop, blunts, bitches & beer”. Dang, if he had only added fried chicken, I'd be in there.
The Hip Hop Slam wasn’t a slam at all, but an “8 Mile” style emcee battle (of course). I arrived in time to see the final match between Sage Francis from the Providence Slam team, this other German cat, and Ed Mabrey who kept stopping the beat to drop a capellas which is probably what got him eliminated. The final battle between the German dude & Sage was probably one of the most entertaining things I’ve seen in a long time. Sage skipped around the stage & rhymed like he was possessed, even dropping his pants & spitting venom at a homophobic cat in the audience who had already been eliminated. He shoulda won, but the novelty factor of the German MC won the audience over. After rhyming in what I guess was German for a few minutes, the only broken English that I heard him say was “You must learn my language, I’m the only gangster from the Alps, Biaaaaach!!” .
Before our 2nd bout, we regrouped & rededicated ourselves as a TEAM. With the knowledge that we had no chance at Semis, the pressure was off of us to do anything other than our best. Twain & I spent the day working together on his “courier” piece which I beat-boxed on, while Droopy & Chris tightened up their “Labrynithine” poem.
That night, we absolutely KILLED! With those two pieces, me doing “Epiphany” and all 4 of us performing together on Chris’ “ADD” piece, we straight waxed Alburquerque & San Antonio Texas. We did so well, the Nats committee asked us to perform at the Semifinal Showcase! It was truly a Rocky II-type moment. Much love to Felicia, Charniece, Sonya, Jarius and Big Bru for showing up & being louda than a mutha!
Come to think of it, our crew was pretty crunk too…
The Pittsburgh team are some cool peeps
I missed the erotica slam but I felt the tremors from a mile away
Jud “the snowman” Lewis got real busy at the cover slam
Every single night the party was at Holiday Inn room 2605 – I don’t even know whose room that WAS….
Alot of the established & more popular slammers either didn't come this year (Al & Bassey I missed y’all) or they came but didn't participate. That kinda affected the level of poetry that you heard with so many newbies on the mic.
Oh by the way – The Finals was won by LA who used our SAME 2nd night strategy & performed 3 incredibly choreographed group pieces to finish ahead of Oakland, Austin & the Nuyorican.
All in all, mission accomplished. We spread the good word of poetry from DC/B-more and made some good Western contacts, which I think we sorely needed. Although our team didn't do as well as in the past I felt this was the RICHEST experience because we got to see the BEST and the WORST that slam had to offer all at once…
Slam ain’t perfect, but It’s mine…
I know I should end
With a haiku but I just
Can’t think of one now
Pic!
blackpicasso - 4:20 PM
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8.15.2003
You know, Nat Law’s right
(Don’t tell him I said that)
I take wayyyy too freakin’ long to post on this site, and for real, it shouldn’t be that deep.
I'm always Tryin’ to come up with profound statements & life-affirming anecdotes
Shit – it’s hard enough coming up with good poems & haikus & rhymes & sonnets & poetic rhymes & rhyming poems (what is it that we do anyway? Oh yeah, BS. ). I shouldn’t be bustin’ my ass for a simple journal. So from here on out, I’m Mr. Stream-O-Consciousness. First thing that comes to mind I’ll put down. Let’s try it right now…
Dear god please super glue me to Beyonce’s ass…we’re never gonna get any wax out this summer we’re never gonna tour out west we’re never gonna do ANYTHING…what’s the big friggin’ deal about Floetry and why do they keep coming BACK to DC? That one chick has a HUGE dome...Ode Tet Gleebin’ Globbin’ Globin’ I miss Def Leppard that one armed drummer was nuts …Note to Stench Ringfinger I don’t wanna be Doug E Flesh anymore I think I wanna be Malcom Sex…mmmmm sexy Eve’s lips are sexy I think the mean power puff girl is kinda sexy… Kelis & Kelly are sexy I like girls with KEL in their name…hope I never meet a Keelekel.. I’m gonna take E the Poet-Emcee from Baltimore to court...SLAM! Da Da Daa! Da Da Daa! Let the boys be boys!..I take good care of my ding-a-ling ‘cuz it’s the only one I’ll ever have – yup so I trim it oil it & talk to it daily …I got a letter from the government the other day - I opened & read it - it said my application was denied…Hey Delrica! Rock baby wanted me to tell ya Titty Titty Titty Titty… tick tick tick…THAT’S IT no more timebomb interviews I don’t give a damn if it DIDN’T explode in our faces we will NOT court disaster…Sadaam is courting disaster (although he's dodging it pretty well, probably hiding out somewhere with Osama) The fat guy who smokes & keeps eating hoagies...James Bond smooth flirts with disaster all the time...some relationships are like a James Bond flick ...When The Evil triple-agent Ms Booty Galore slides into the picture talking bout she’s a reformed spy & she’s not the same person who tried to kill him in the last movie, James must resist, No Matter How Big Her Ass Is… Halle Berry gets increasingly wacker with each action movie. ….But now that I think about it, James Bond would probably try to hit it once & then jump out the window. No parachute? Just use her big ass Para-sucos & land safely...
Okay see? That didn’t work out at all – now I’ve alienated several people, disgusted a few & confused the rest
I'm so ashamed...
Don't look at me I'm Hideous!
blackpicasso - 11:23 PM
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8.13.2003
say it ain't so...
Gregory Hines, R.I.U.
TRIPLE THREAT (not a definition)
note: yeah, it sounds odd- hip hop mc notes g. hines as a major influence. but think about it...i grew up in an environment where a fluid personality served you well. some folks watched you closely, always waiting for you to make a 'niggardly' mistake, and my brothers and i specialized in denying their pleasure. others required an ass-kicking, but it had to fly under the radar of the aforementioned 'Watchers'. flummoxed expectations were the norm, and when it really came down to it (if you asked), all you were gonna know is we got what we came for and *POOF*...jetted.
Gregory Hines was (at least to me) a fluid personality. he had DEPTH as a black man, a curious mixture of geek & pimp, intellectual shuck 'n jiver, sensitive pussy fiend. yup- grace, style and power moves...i know some b-boys who need to study gregory hines (and the Nicholas Brothers). Gregory Hines was exactly what the situation called for- no matter what the situation was. think back to the movie "Running Scared" that Hines did with Billy Crystal. who the freak is gonna buy those 2 guys as bad-assed street detectives? it shouldn't have worked- but it did, cuz they provided DEPTH to their characters. think the opposite of chris tucker in "rush hour"...
so, somewhere around the time that i see that movie, i catch hold of this Stanley Clarke album, "If This Bass Could Talk". i am a b-boy, with a big brother who force-fed me funk jazz...
the last track is how i came to place Gregory Hines on my list of cats to strive to be like: Bassically Taps (audio)
yup- gotta go do some laundry now...
easy,
dp
naturalaw-dp - 2:55 PM
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8.11.2003
I'm Baaaaaack.....
Details soon come.
must sleep first.
Pic!
blackpicasso - 10:24 AM
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8.9.2003
A year or so ago, I came across this but right now I can't remember how. I did devour it eagerly though. Folks went to Sao Paolo? Hung out with, gigged with and learned at the feet of the biggest names in electronic music? And you can watch most of the clinics on the website? They'd already done this several times in London, NYC and Berlin? I was blown and I was jive psyced. What I really needed was a late pass though. I checked out some of the archived sessions and then promptly forgot about it.
Fast forward to a few weeks ago. I was cleaning out my email inbox, a place where many listserv messages from places that want my money in exchange for vinyl records languish when I don't have any money. One of them had been sitting in there for about a month. I opened it and in big letters was told that the deadline to apply for the Cape Town 2003 Red Bull Academy sessions is July 25. 60 completely free slots (including flight and accomodations) were up for grabs. I opened that email on July 24. I read the application. It was about 16 pages long with about 50 essay questions. I couldn't complete it online. I had to write it out longhand. I had to send a dj mix or some of my own finished tracks. I needed some passport photos. The questions were really hard. I finished it in a few hours when I would have liked to have marinated on it for a week. I worried about whether I was too serious and should have included more silly responses. I paid an exorbitant amount of money to get it sent to Germany really really fast. I couldn't decide whether to send Headphone Addiction or Paranoia but chose the latter at the last minute. While doing this I didn't think too highly of my chances at getting a slot nor of how much of an asset such an experience could be. I was just trying to prevent the crippling regret that would set in if I bungled something cool just because I don't always read my email.
I am now obsessed with it though. Folks like Osunlade, MJ Cole, Madlib, Cut Chemist and DJ Craze have all done past workshops. Who might they get this year? Vikter Duplaix? Squarepusher? Maybe Kid Koala? They've gotta have some CRAZY ass records in the shops down there... I've never been to Africa and have always wanted to go... all of the networking opportunities... all the places to play.
As all of these thoughts swirled through my head, I began to study the profiles of previous participants, trying to divine some sort of pattern to how folks get chosen, measuring my experience, presentation and personality against these arbitrary criteria I was assembling based on very few clues. Fortunately, I don't think my obsession is unhealthy yet... but I really really want to go.
I'll find out in a couple of weeks if I got it.
Stylus - 6:38 PM
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8.6.2003
5am thoughts on hip-hop courtesy of DP's old pal and my newest buddy: insomnia
I recoil violently from elements that strike me as "cliche'ed" in hip-hop tunes but many of the things I love the most are in fact cliches.
Stuff that annoys me:
- ad libbed intros filled with "yoyoyoyo", "I'm 'bout to set it", "check it...", etc.
- indie dirge beats
- "everybody say hooooo!", "get your hands up", etc. (yes, I know I've committed sacrilege)
Stuff I love:
- primo-esque scratch hooks and collages
- loop based tracks where the main sample gets filtered out on the verses and comes back in full for the chorus
- open hi hat to snare
- bass hits matched to kick drum
I don't want to be a bitter old throwback that can't accept change. Might be too late. I don't think that pining away for frequent breeches of the 100bpm barrier is too much to ask for though. Joints plodding through the sludge of the sub-90bpm region, can't get psyced off that, unless of course it's Camp Lo's "Luchini". Oh yeah, I miss big dirty drums too. Drums that haven't had the crud, room noise and ambience edited completely out. That might be creeping back but radio's still scared.
Other thoughts...
- The new Gangstarr album is disappointing. It's.... CLICHE'ED. I bought it out of respect.
- I want to be DJ Spinna when I grow up
- Grap Luva, come back!
- 3LG come back!
- The new Soulive album should be called Taint Kicker
- I haven't heard an "underground" hip-hop record in ages. Can anyone tell me what they sound like now? I gave up on Def Jux. I hear I should be listening to Prefuse73 and RJD2. What about that Jean Grae album?
- I'm painfully aware that this entry resembles the only non-fictional link in DP's little Google fest.
- Leaders' T.I.M.E. album had some hot joints
uh oh, shut down time. zzzzzzzzzz..........
Stylus - 5:45 AM
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8.5.2003